![]() ![]() One of the most festive Premiere Pro templates is this elegant Christmas themed option, featuring shimmering swirls, titles, and graphics that are ideal for holiday greetings, e-cards, and invitations. It includes nine text placeholders and a high definition 1920 x 1080 resolution for optimum quality. Summer Fashion Adobe Premiere Pro Templateįor a creative and dynamic approach, this is one of the most stylish and versatile Adobe Premiere templates available. It has a large proportion of Premiere Pro’s abilities for less than a seventh of the price.It features a range of fun transitions and animations, 8 text placeholders, 19 video or image placeholders, and is compatible with Premiere Pro versions CC2018 and newer. If you’re on a budget but still want plenty of editing power, Adobe Premiere Elements 1 is hard to beat. Canopus’ Let’s Edit offers true real-time output via FireWire, but Elements at least lets you preview your work by routing DV via your camcorder to a TV. Once you’ve chosen a style, only the text labels can be edited – there’s no possibility of altering the embedded background or button graphics.Īlthough Premiere Pro’s real-time rendering engine now lags behind the professional competition, at the sub-£100 end of the market it’s relatively sprightly. You can create chapter points by marking the timeline, but the menu design is entirely based on templates. There’s also built-in DVD authoring, although it’s nowhere near as powerful as Pinnacle Studio’s and lacks Dolby Digital 5.1 support. This means you won’t be able to embed sequences within each other to simplify the editing of long, complex projects.Īside from outputting to tape, Elements can export Windows Media, QuickTime and MPEG. However, one of Premiere Pro’s greatest features has been removed – the tabbed timeline. Premiere Elements is also the only app in this price range to offer unlimited video and audio tracks. For example, we simply copied the Canopus Imaginate 2 plug-ins from Pro to Elements and were able to use Imaginate’s superb image-panning abilities within Elements. The effects can be readily extended because Elements has the same plug-in architecture as Pro. But you still get the full gamut of Premiere Pro 1.5’s automated correctional abilities, such as Shadow/Highlight. Only chroma and alpha keying plus various types of matte system are included, with no luma keys. The range of filters and transitions available is a subset of Pro, but it’s a large one and those that are included aren’t cut down. But call up Advanced Effects mode and the same finely detailed configuration options as Premiere Pro are revealed, including all the motion control abilities and keyframing of individual parameters. The first merely lists effects as canned options, which can be dragged to clips on the timeline. For example, there are two Effects modes. However, it’s the fact that a large proportion of Premiere Pro’s power lies beneath the surface that makes Elements such a ground-breaking release. Some have criticised the way Adobe has bolted on assistance to Premiere to make Elements, leaving much of the complication intact underneath. The title applet is essentially the same Adobe Title Designer from Premiere Pro, but with a template system attached. The Capture and Titles modes bring forth separate applets. Buttons on the top right alter the layout context of the app, calling up the media bin during the Edit phase or the filters and transitions palette for Effects. ![]() But to help out the newcomer, there’s a context-sensitive ‘How to’ palette offering immediate tips on regularly used activities for the current mode. Anyone used to Premiere Pro will find it familiar. ![]() Although Adobe has tidied up the interface considerably compared to its big brother, there’s still quite a lot to get to grips with. Elements isn’t for the absolute beginner, however. ![]()
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